Something happened, though. Waking the next morning alone in a Pabst-smeared haze, unsure of whether what you viewed the night before was what it had played itself out to be, you reached for your Macbook and Googled your best to recreate the magic. Maybe you texted the person who was next to you for searchable clues, but eventually you found him again.
Then you saw the numbers below— the millions upon millions of views and comments. What were we all looking for in Tsimfuckis anyway? Probably the same thing he was looking for. Having been trapped in a feedback loop since , the Real World my generation lives in is one sleekly portrayed as more honest than the generation before it. It was definitely good fun, everyone there was amplified on Red Bull, clarified on Proactiv and terrified when hang gliding in Tijuana.
We all hung out for days on end, high on the thrill of just seeing one another for the first time. Eventually Pedro and Coral and Ruthie became our new gay, black, and drug-addicted friends, respectively.
But something was missing. A cottage industry was dedicated to the pursuit of finding it. Every night we became friends with even more locked up prisoners, hoarders, and canned air huffers.
We stopped being polite, but somehow things felt even less satisfying. For each new friend we made a void was created. The edited display of popular media defined our anticipations for how to treat its subjects. With every quick cut and planned musical accompaniment we were given a cheat sheet for how to feel and afterwards we felt bad for getting an A. Not because our new best friends were too talented or pretty, but simply because they were too interesting.
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